Michael Curtiz
| Dodge City
| The Unsuspected
Classic Film and Television Home Page
Michael Curtiz
Michael Curtiz was a film director, working both in Hungary and Hollywood.
Some common characteristics of Michael Curtiz films:
- Communities under dictatorial control, and people who rebel (Captain Blood,
Robin Hood, Dodge City, Casablanca)
- Doctors as community leaders, rebels (Captain Blood, Dodge City)
- Working women (Dodge City, Mildred Pierce)
- Gay friends in love with the hero (Tex: Dodge City, police chief: Casablanca)
- Political songs in public performances (Marching Through Georgia: Dodge City,
La Marseillaise: Casablanca, Grand Old Flag, Over There: Yankee Doodle Dandy)
- Media enterprises (newspaper: Dodge City, play production: Yankee Doodle Dandy,
radio show: The Unsuspected)
- Eateries and saloons (saloon: Dodge City, Rick's place: Casablanca,
restaurants: Mildred Pierce)
- Financial planning (taxes: Dodge City, deeding royalties to parents: Yankee Doodle Dandy,
raising money for business: Mildred Pierce)
- Technology improvisation (using car lights for Over There: Yankee Doodle Dandy,
records as alibis: The Unsuspected)
- Concern over drinking (Hale takes pledge: Dodge City, Hurd Hatfield: The Unsuspected)
Dodge City
Dodge City (1939) is a Western.
Anti-Dictatorship
Dodge City has a classic Western story: the hero has to clean up the town.
Dodge City shows links with other Curtiz films, such as Captain Blood,
Robin Hood and Casablanca. All of these deal with societies that have come
under the control of dictatorial regimes. These films seem like direct allegories about
the dictators in Europe, such as Hitler and Stalin. In fact, Casablanca is not
an allegory, but a film literally about the evils of Nazi rule.
Dodge City suffers not
just from crooks, but a dictatorial rule of terror by a man who has usurped the law.
Dodge City shows not just a fight against this man, but an attempt by the townspeople
to build up democratic institutions, such as the rule of law and a free press.
Films like Robin Hood, Dodge City and Casablanca emphasize whole communities.
While they have strong lead characters, there are also portraits of entire towns. They have
large casts of well-developed supporting characters, played by the brilliant stock company
of Warners actors.
Working Women and Feminism
The heroine has to overcome male chauvinist criticism, of her working at her newspaper job.
The film is fully supportive of her, and shows her as admirably gutsy and determined.
Her work also plays a productive, idealistic role in the community.
Mildred Pierce will take a deep look at a working woman and her struggles.
The Gay Friend
Tex is a friend of the hero. There are suggestions in the film that he is in love with the hero.
He makes a big speech, when locked up in the jail, about his closeness to the hero over the years.
The speech has some suggestive dialogue, that can be read as hinting at a physical sexual relationship
between the two men. This speech is both vigorous and funny. The speech can also be read as suggesting
not that an actual physical relationship occurred, but rather that the close friendship of the two men helped
Tex sublimate his strong gay desires for the hero.
It is unclear what the hero feels: although he certainly very much likes Tex. The hero does know
exactly what to do to please Tex, shortly after Tex's speech. We won't "spoil" his actions here. But they can be read
as a sort of homosexual love play, that are probably gratifying to Tex.
Casablanca also has a gay friend in love with the hero. The police chief (played by Claude Rains)
is widely seen today as such a gay character. It is interesting to see that such gay friends
did not start with Casablanca.
The Unsuspected
The Unsuspected (1947) is a mystery film, and probably should be considered as an example of film noir.
Much of The Unsuspected takes place at either at Claude Rains' giant mansion, or at
his radio show. There is a fairly large cast of characters living and working in these places.
They perhaps form a mini-version of the communities in such earlier Curtiz films as
Dodge City and Casablanca.
There is plenty of corruption in the mini-community of The Unsuspected. And eventually,
one of the characters has to clean it up, like Errol Flynn in Dodge City.
Early in Dodge City there is a murder in the saloon. The bad guy frames this to make it
look like a justified killing. The Unsuspected also opens with a sinister death, that has
been made to look like something else. One difference: in Dodge City, we know
the villain right away; in The Unsuspected the identity of the villain is a secret,
in the whodunit tradition.